A business that wants a brand usually has one of two things: no budget for a designer yet, or a folder of AI images that each look fine and don't look like the same company.
Amir Mušić, who has spent more than ten years on branding and ads, puts the gap in two sentences: "AI can create endless images. A brand begins when someone decides what must stay in its visual language." So make those decisions once, from one image you already like, and hold every asset to them.
Pick one reference and write a short brief
Choose one image whose feel is right for you. It doesn't need to be from your industry. Then write a brief of four lines: the brand name, what you sell, who buys it, and the range (flavours, services, sizes).
That's the shape of the brief Amir Mušić used when he turned one Pinterest image into a full brand system for a drink called Juicee. His workflow runs: reference, deconstruction, an anchor brand kit, guidelines, a lock, then campaign assets and packaging.
Alex from Relate Studio adds one thing about references: "Don't limit yourself to references that look exactly like the final result."
Checkpoint
One reference image and a four-line brief.
Decode the rules, not the look
the step that pays off
Paste the image and the brief into the prompt below. In Mušić's words, a reference should inform the logic, not the design output (In the margin: rules, not the look.). His reference gave him four rules to carry over: split-screen composition, real ingredient photography, bold typography, simple starburst elements.
Read the "must not be carried over" list twice. It's how a brand inspired by an image stays a different brand.
Decode the reference into rules you can reuse
Checkpoint
Four to six rules, each rewritten for your brand.
Generate the anchor, then cut it down
Give the rules and the brief to an AI image tool and ask for a single brand kit board: logo idea, palette, type, graphic elements, one product or service shot. Mušić used
Lovart Agent (his post is sponsored by
Lovart). Relate Studio explores in
Krea and refines in
Nano Banana 2.
The first board will do too much. Mušić's first kit "mixed too many styles, patterns, effects, and typography directions", and his note back was: "Use more white space, less graphic devices, and one clear direction." Cut before you add. Make one change per request, the way Relate Studio's Alex does: "Instead of trying to solve everything in one huge prompt, I usually make small changes one at a time."
Stop when one board is right. That board is the anchor.
Pro tip
Approve the concept before spending credits on assets. It's one of the five things Mušić says to remember.
Checkpoint
One approved brand kit board.
Lock the kit in writing
An image is hard to follow and easy to drift from. Turn the approved board into written rules with the prompt below, and answer every
[DECIDE: ...]yourself.Mušić locked the same list at this stage: logo concept, colour palette, typography (free Google Fonts in his case), brand graphics, and the rule for photography.
Write the locked kit from the approved anchor
Checkpoint
A one-page kit with every decision made by you.
Make assets and check each one for drift
Now make what you need: a social post, a flyer, a menu board. Give the image tool the anchor board and the written kit every time.
New references pull outputs off the kit. Mušić hit this when he added nine scene references, and his answer was deciding what each reference is and isn't allowed to control. Run every asset through the drift check below before it's used.
Check a new asset against the kit
Checkpoint
Assets that pass every line of the kit.
The takeaway
You end up with one approved board, a one-page written kit, and a check that tells you whether a new asset belongs. The kit is yours: the decisions in it are the ones you made when you cut the first board down.
The limit: this gets you a concept, not production files. Mušić says it himself, "AI accelerates concepting; final production still needs human vision", and his packaging shots are conceptual, not print-ready files. Signage, print and packaging still need a designer to build the final artwork from your kit.
Variations
A mascot instead of a kit. Relate Studio's workflow is the same shape for a character: references, rough concepts, one strong base, one change at a time, then new poses. Their pose prompt holds the character steady: "Create a new pose strictly using the appearance and anatomy of the mascot on the first image. Use the second image as a pose reference."
Prove it in real layouts. Relate Studio made three posters around their mascot to show it works as a system and not a one-off. Do the same with your kit before you commit: a post, a flyer and a sign.
Hand the kit to a designer. A written kit and an anchor board is a better brief than "something like this".
Don't use the reference's own assets. Its logo, product shots and exact layout belong to someone else. The decode step lists them so you can leave them out.